Instrument: Tenor saxophone
Location: The rec room in my childhood home. Edmonds, WA
This morning I visited with my Mom back at my family home in Edmonds. I had just a few minutes to warm up and found myself inspired by a story I had heard on NPR on the drive over. An interviewee presented a case that 1963 was the most artistically influential and critical year of development for the Beatles. It was interesting to hear that they had over 40 in-studio performances for the BBC that year, and for some reason I walked away with the song "Fool on the Hill" semi-permanently implanted in my brain throughout the day, even though that song appeared several years later. I decided to explore a very tonal, lyrical melody with an accompanying split tone chord to pay homage to my day-long obsession with this song.
The series of upper register pitches were done with traditional fingerings, albeit the tenor High F was played using the Fork fingering, which produced more of a muted sound on my horn. The chord played each time after the two upper pitches produces a minor third with the tenor pitches E and C, each approximately a quarter step high. To punctuate the overall melodic color, I began slightly altering the broader sound by incorporating occasional dots by striking the Side High F key. The occasional rapid cycles were played by moving my index and middle fingers in a trilling fashion against the High Side F# key. The brief held pitches were created by then holding the Side High F key down. The rhythm "1--2&-- 3--4&--5--6" played near the 2/3 point in the improvisation was accomplished by putting down and then removing this same Side F key while continuing the original sound cycle.
Gesture 1: Altissimo G
Gesture 2: Fork F
Gesture 3: E/C: each a quarter step high. (Left Hand) B-A keys, Octave, Palm Eb